Editrixes

Un-Lucky Break for Kim France: She's Out, Holley's In

It was announced this morning that Brandon Holley will replace Kim France as the editor-in-chief at Lucky. France is leaving Conde Nast altogether, according to a press release posted at Business Insider. Holley is currently editor of Yahoo!'s Shine and formerly was the top editor at Jane and ELLEgirl.

Jane's demise was attributed in part to its failure to attract high-end advertisers, a condition aggravated by the magazine's editorial focus on smaller designers and mass-market brands. As much as Lucky has veered toward pricey merchandise in recent years, it's still no Vogue.

Under its new leadership, will Lucky become even more inaccessible in order to meet this challenge? Why is France leaving? And can she take Jean Godfrey-June with her? Hey, internet, we need answers! (In the meantime, speculation is welcome.)

Vogue Liveblog 2010: The One with Halle Berry on the Cover

The other day someone asked me why I still do the liveblog. After all, I've done it three years in a row. Isn't it time to move on? To which I say: Definitely not! I've been so focused on my day job lately that I'm barely finding time to read anything. (Alas, snarking on fashion magazines does not pay the rent, though I'm willing to entertain Vogue_sept10_halleberry offers.) If not for this liveblog, I might never read September Vogue. That page count is intimidating!

As always, the rules: I have not opened this issue of Vogue. I have not read what any other writers thought about this issue. I'll be looking at everything except the cover for the first time. The liveblog happens in real time, so just hit refresh on this post to see the latest entries. And I'll be posting periodic updates on Twitter and Facebook throughout the day, too.

Here we go!

Continue reading "Vogue Liveblog 2010: The One with Halle Berry on the Cover" »

Is Elle Bad for Women? Elle Editor Says No

The August edition of Elle is out, but I’m still chewing on the “Editor’s Letter” from the July issue, wherein editor-in-chief Roberta Myers defends herself and the magazine. The charge: is women’s media harmful to women? Elle_july2010_rihanna

If you guessed that Myers said “no,” congratulations! Here’s her inauspicious start:

On May 3, I went on the Today show, and in a segment about the winds of change blowing down last season’s runways, I uttered the words “[Elle Macpherson] is not a skinny girl.” Not skinny as in, not one of the anorexic, near-dead models that Ann Curry and I had just been talking about… How ironic that I was actually praising the presence of an almost 50-year-old demonstrably busty and athletic woman as a hopeful sign in an industry where the models have always been way too skinny (read: underweight).

This might be an understandable explanation if Elle had never taken part in the industry tradition of using “way too skinny” models, and if comparing favorably to a “near-dead” model were a meaningfully positive evaluation. Is that how low the bar is now?

“Well, Roberta, she’s definitely still among the living. I even held a mirror in front of her face and detected exhalation!”

“She'll look great in the new Vuitton. Let’s book her!”

[The furor that erupted following her statement] was about what it was about 15 years ago, when I was an editor at Seventeen, and 10 years ago, when I was an editor at Mirabella: In the “who’s responsible for my self-hating body image” debate, there’s no debate at all.
That’s because, in the “who’s responsible for portraying pre-menarche girls as the pinnacle of female achievement” debate, there’s no debate at all.
As New York blogger Amy Odell put it, magazines for women “make us feel bad about ourselves.” I wrote to Amy, hoping she might…explore that a little bit on assignment, but she never wrote me back. Alas.
If only there were more than one blogger who might explain this! If Amy isn’t available, I certainly am.
Why do images of women who are prettier, slimmer, younger, darker, lighter, smaller, taller seem like an affront to our self-worth?
Oh, only because they’re used to point out how flawed we are in comparison, and then sell us products to fix ourselves.
And would self-esteem generally rise were models to look more like the rest of us—5’4” and 165 pounds, the current build of the average American woman?
Um, YES. Obviously.
It’s curious to me that there’s still a belief that the media puts too much pressure on women to be thin, because as a measure of influence it’s an utter failure: The average woman has added 20 pounds to her frame in less than 30 years. More than one third of adult American women are obese, a medically devastating (and expensive) condition.

Hey, did you hear that? It’s the death knell of print media. Isn't the publishing industry’s profit model entirely predicated upon influencing readers and then peddling that power to advertisers?

But seriously: It’s curious to me that Myers ignores the increasing amount of research that being overweight is not necessarily an indicator of poor health. And that the relative affordability of processed and fast foods and the sluggish economy might have more to do with the general rise in the population’s weight than her magazine. And that Elle vacillates between influential and ineffectual depending on whether it suits her argument.

The attractive people favored by media as a whole—movies, TV, magazines, websites—can seem oppressive at times, though they do reflect this truth: Good-looking people get attention.
While this may be true, it also ignores that, beyond the fashion industry, there is no universally accepted definition of “good-looking.” Any model who deviates from the youthful, emaciated standard is shoved into a story about camouflaging those flaws or becomes an excuse for a magazine to onanistically praise its own open-mindedness. Which, you know, could "seem oppressive."
As we grow up and out into the world, how much does the presence of women who have more of whatever it is (brains, success, piano-playing ability) that bothers us about ourselves really hurt us? ...as an adult I realized it felt good to be told I was attractive. And it didn’t diminish my accomplishments one bit.
In other words: “I don’t have self-esteem issues, so I don’t understand why anyone else would. And I’m not publishing this in a national magazine because I feel the need to prove anything.”
And it’s a fair question to ask if media is setting, or reflecting, the cultural norms. Feminism allows us to be, pursue, remake ourselves however we like, so it’s challenging to consider what’s the right amount of “change” advice (let’s not call it improvement) for Elle to offer...
You know, I'm loath to make any kind of definitive statement about the nature of feminism, but I’m going to have to go out on a limb here: I’m pretty sure feminism doesn’t exist so we can “be, pursue, remake ourselves” according to Elle’s high-priced doctrine. It’s so we can “be, pursue, remake ourselves” as anything we want. Anything! Even, say, equal to men, whose magazines—last I checked—don’t contain nearly as many condescending explanations of why their readers’ feelings are totally unjustified.
Do we think that if Elle and the rest of “women’s” media stopped running stories about the latest skin saver, we’re all stop caring about our faces?
Scare quotes and a straw man.
And if the average model (under 20, 5’10”, and 124 pounds) were suddenly replaced by a 35-year-old five-footer, would we no longer find the leggy teenager beautiful?
Is there a reason we can't have both? Because—this might blow your mind—we could find them both beautiful.
Yes, we love [the musicians in this issue] for the way they look! And for the way they sing, write, perform, and otherwise rock our worlds. In every way, I flunk by comparison. And the world is so much more interesting for it.
Wait, so Myers admits to feeling inferior in comparison to these women...when that’s the same attitude she decried earlier.

Admittedly, it’s a daunting task to justify the existence of an entire industry. And while I don’t think anyone expects Myers to launch an all-out attack on her own livelihood and, like, immediately cease Elle’s publication, it isn’t unreasonable to hope for a genuine attempt to answer the fashion industry's critics. Instead, we get clichés, contradictions, and almost zero acknowledgment of magazines’  role in promoting the outrage that inspired Myers’ response. Women’s magazines can't speak for all women, but it would be a vast improvement if they at least tried to speak to us.

Related: Elle Editor Goes on the Offensive, Gets "Real"

Lowest Common Denominator: Lucky, October

1: Estimated number of photos shot of Kristen Bell for the cover. Why would they use this awkward-looking one if they had any others?

Lucky_Sept09_KristenBell

10: Days’ worth of foundation Estee Lauder will supply for free, according to their ad, which also notes that the makeup must be “right for the way you live”

Under 20: Approximate number of remaining celebrities without their own fragrance collections now that Kat Von D has one (advertised on page 56)

$2,495: Price of a Chanel bag featured in “Lucky Editors Answer: What’s your no-apologies splurge?” Also, note how Lucky makes it sound like buying a Chanel purse is an act of self-empowerment. Because you need a designer bag to fulfill your potential as a human being!

80: Page on which editor Jenny Kang describes the “corpse bride” as her fashion inspiration in “What I Want Now”

All of them: Individual hairs on my head I will remove in frustration if a fashion magazine glamorizes death one more time

$79, $50, and $30: The actually affordable price tags of the jeans Lucky calls “affordable” on page 92

100: Page which recommends a $23 skort from Land’s End

6,731: Since reading that, instances I've wondered whether we're really doing skorts again, and if so, WHY?

4,529,023: Including the one on page 132, estimated number of mentions on Cover Girl’s Outlast lipstain pen in women’s magazines in the last few months

2: Number of Cover Girl lipstains I’ve purchased in those same months

“Lots”: According to photographer Mario Testino, the amount of “very good sex” model Carmen Kass has enjoyed. Jean Godfrey-June reports that Testino reportedly described Kass to Michael Kors by saying, “Zees leg…you only get a leg like zees by having lots of very good sex.”

3: Products required to create the “disheveled ponytail” in “Hair Styles We Love Now”

$575: Price of a purse Lucky describes as “so rich” on page 160

Not a single bit: Discretion about advertorial displayed by placing an ad for the YSL fragrance Parisienne in the middle of a spread about Parisian style. Subtle!

The 5 Ways Glamour Undermines Its Size-12 Self-Acceptance Message

There’s been quite a bit of discussion recently about the photo of model Lizzi Miller in September’s Glamour_Sept09_JessicaSimpson Glamour. See, Lizzi has something that rarely appears in fashion glossies: a non-concave stomach. So readers—in the apparent joy of seeing a body that remotely resembles their own in a magazine—have sent letter after letter of praise to Glamour HQ.

In her blog, editor-in-chief Cindi Leive mentions Glamour’s “commitment to celebrating all kinds of beauty,” which makes me wonder whether she even reads her own magazine. I’ll give credit where credit is due: this photo and the overwhelming response give me a little hope. But a photo—even this photo—isn’t enough.

Here’s why:

1.    Lizzi Miller’s photo appears in a story called “What Everyone But You Sees About Your Body,” which is ostensibly promoting body confidence. But why illustrate this piece with a plus-size model? The implication is that larger women are the ones who need this advice, because, you know, skinny femalesGlamour_Sept09_LizzieMiller apparently pop out of the womb bursting with self-confidence.

2.    Leive describes Miller as a non-supermodel whose body is “wait for it…normal,” as if she (Leive) has nothing to do with the models who populate every other page of the magazine. Yeah, I’m pretty sure it isn’t readers who clamor for a parade of sylphs month after month.

3.    The hubbub over Miller doesn’t just mean they’ve done something positive. It means Glamour is failing its readers. If a single photo has generated such a response, then the magazine isn’t regularly depicting the women it purportedly speaks to. A picture of a plus-size model shouldn’t be a favor to readers. It should be a frequent way of representing them—not to the exclusion of slender women, but alongside and equal with them.

4.    If I could say one word to Cindi Leive, it would be this: “context.” A plus-size model in Glamour is great. Loving your body is fantastic. But the positive message is diluted by the rest of this issue’s content: a “Health Answers, Please!” column about weight-loss supplements, a feature called “Beware the 1,140-Calorie Breakfast,” the usual spate of super-thin models, and in “Your Instant Whole-Body Makeover,” the warning that poor posture “can even make you look like you’ve gained a few pounds.” The horror! Here’s a thought: Stop fear-mongering about fat and maybe there wouldn’t be a need for articles about self-acceptance. Which brings me to...

5.    Leive’s blog post completely fails to acknowledge that Glamour is complicit in this situation. You know why it’s refreshing to see a model who looks like Miller? Because we so rarely see anyone who looks like her in any fashion magazine. Sure, Glamour is leagues beyond Vogue or W in terms of body-type diversity, but that’s damning with faint praise.   

What do you think?

Related: What W Really Thinks About Women’s Bodies

A Sticky Situation in Lucky's September Issue

In its patriotic mission to stimulate the economy, Lucky does everything it can to make shopping easier for the few, the proud, the misanthropes who detest malls, and the between-sizes Americans prone to Lucky_Sept09_MandyMoore fitting-room meltdowns. With the stickers marked “YES!” and “MAYBE?” in every issue, vicarious shopping has never been easier! 

This month, instead of tearing out the stickers to annotate a publication with actual paragraphs (like, say, a book), I actually affixed them to the magazine's comparatively noteworthy pages. And in my mission to help you avoid “reading” Lucky, here's what I culled from the September issue:

YES!
I may need the entirety of Anna Sui’s Gossip Girl-inspired collection for Target, now that I’ve seen the two-page ad near the front of this issue. Unchecked spending on stuff I don’t need makes me a good American, right?

YES! Just as expected, Kim France’s “Editor’s Letter” does acknowledge the crummy financial climate, but adds that “against all odds,” the magazine’s fashion editors found plenty of great stuff for fall. Such sacrifice!

YES!
Lucky continues its slaughter of the English language on page 94, trotting out the non-word “splurgier.” Are there fuses in my brain? Because I think one just blew.

MAYBE?
It is totally acceptable to shop at outlets. If you’re in Italy and buying stuff at the Prada outlet, that is. (page 108)

YES!
There exists an article of clothing called “zoot pants,” and Lucky’s “Style Spy” expects you to wear them for fall.

YES!
Lucky’s editors may suffer from long-term memory loss, since they’ve managed to load up “The Smart Shopping Sourcebook” with heaps of accessories and clothes under $100, but can’t seem to remember those stylish bargains long enough to insert many of them in other features.

YES!
According to “Accessories Report,” eyeglasses are in for fall. Great! I hate when glasses are out and I have to go around squinting. Suffer for fashion, right? (Or, you know, wear them and look like I don’t care about my appearance at all.)

MAYBE?
Ed Hardy’s new perfume, which, according to the ad in this issue, is a “vintage tattoo inspired fragrance,” could be less appealing. But probably not.

YES!
Cosmetics are the sure path to happiness and fulfillment! According to “Beauty Spy,” hot pink blush will make you “instantly feel 5,000 times prettier.” The latest anti-wrinkle potions are “kind of miraculous.” A saffron lip stain is “unexpectedly gorgeous”—for $65, it had better be. A new Maybelline lipstick is “perfect,” and a handful of acne products work with “stunning efficiency.” Yay!

MAYBE?
Despite the wisdom so altruistically dispensed on page 214, most readers probably don’t need detailed instructions on shampooing.

YES!
It is possible to “Love Your Hair,” as page 224 exuberantly instructs. It doesn’t require a shift in perspective—just a heap of drugstore products, a $140 flat iron, and a $34 shampoo. Easy!

MAYBE?
We shouldn’t take beauty editors’ advice as gospel, since in “Skin Regimens of Beauty Editors,” one confesses that she hates washing her face at night and another never takes off her eye makeup before bed. As all of us who’ve been indoctrinated by a lifetime of women’s mags know, not washing up before sleeping is a cardinal sin.

MAYBE?
I might have actually used the stickers to mark various pages of the “Lucky Fall Shoe Guide.” I’ll never tell.

YES!
As noted in “40s Modern,” the right clothes can make me “magpie-cool.” Whatever that means.

YES!
A $415 leopard-print blouse can be worn for work, weekend, and evening, according to “Fall’s Most Versatile Pieces.” Good thing, too, because at that price, it’d be the only blouse I own.

MAYBE?
An $1195 Emporio Armani jacket and $630 Bruno Frisoni pumps, as seen on pages 280 and 281, aren’t the best exemplars of the “punk rock” or “collegiate” style the spread is supposed to embody. But then, neither is posing those “punk rock” models in front of a nightclub advertising a show presented by Radio Disney. Oops!

YES! Now that I’ve read the entire issue, I do want to purchase a new wardrobe! Lucky, you’ve successfully completed your mission.

Lowest Common Denominator: Allure, August

33,683: Number of free items Allure is giving away in August, according to the cover

10: Pounds lighter, years younger, and times happier editor-in-chief Linda Wells claimed to appear after a bra fittingAllure august amy adams

$39.95: Price of faux-leather strapless dress from H&M that’s named as a “must” in “Fashion Cravings”

0: Probability, estimated, that any major magazine’s fashion editor has ever actually worn faux leather from H&M

Far, far too much: According to swimwear designer Malia Mills, the amount of maintenance a suit needs to avoid fading and stretching. Daily rinsing and a secondary suit just for wear in hot tubs? Like it isn’t hard enough to find one!

95: Page on which an advertisement for Latisse appears, asking “Not enough lashes?”

Boundless: The joy I’m apparently missing by not sleeping with my hairstylist, according to “Dirty Blondes.” The article claims stylist-client affairs are a “female pasha fantasy”

Heaps: Amount I loved “Time Warp” on page 141, wherein a fashion historian and a history professor discuss the realism of period-movie hair and makeup. More like this, please!

6: In “The New Cocoon,” number of items made of fur, including oh-so-practical shearling gauntlets

None: Amount of the diet advice in “The Fashion Insiders’ Diet” that’s novel to anyone who’s read a women’s magazine before. Really? Eat a piece of fruit before going out to dinner?

Tons: Disbelief inspired by this sentence in the diet’s introduction: “Models aren’t the only ones who feel pressure to be thin, and fitting into a sample size can sometimes feel like a job requirement—if not exactly a virtue—when you work in fashion.” Because, you know, that's just the way it is.

1989: Year from which Allure must have stolen the fluorescent-themed fashion spread “Plugged In”

In Lucky’s Eco Issue, “Green” Means Cash

The April issue of any women’s magazine invariably dedicates plenty of space to the environment and the latest in eco-friendly fashions. Which makes sense, of course, because there’s nothing more sustainable than printing millions of copies of a magazine that encourages readers to purchase new clothes, Lucky april jessica szohr accessories, cosmetics, and furnishings and then trucking those stacks of dead trees across the country on a monthly basis! (And to clarify, when I say “sustainable,” I mean it in the ecological sense. It's quite clear a magazine’s business model isn’t exactly economically sustainable.)

This month’s Lucky is the very embodiment of this pattern. Nonetheless, the editorial team managed to halt the relentless parade of consumer goods just long enough to drop some green knowledge. Get ready to follow their eco-examples!

Lucky editors answer: What’s your favorite green strategy?

The responses have one thing in common: at Lucky, green doesn’t just mean environmentally friendly—it means cash. One editor advocates the use of multiple $18 plastic water bottles. Another likes the organic textiles in a $350 duvet. And Jean Godfrey-June, like many of us, carries her groceries in canvas totes instead of plastic bags. Except, unlike many of us, her bags cost $92. EACH.

Still planning to be eco-friendly? Prepare to spend even more! In “The Lucky Guide to the Best of Green Style,” the magazine’s found a selection of ludicrously expensive organic clothes and accessories. There’s a $310 jumpsuit, a $565 jacket, and a $410 recycled leather tote. Wonder if it’s more environmentally sound to opt for paper (cash) or plastic (credit)?

To their credit, however, Lucky has embraced at least one facet of an environmentally friendly lifestyle. On page 110, they suggest an 80s-style ensemble consisting of a blazer, denim cutoffs, and “bright white” canvas tennis shoes, so obviously, they’re really into recycling.

Lowest Common Denominator: Glamour, December

$1,712: Value of the gift bag from Glamour’s Women of the Year gala Glamour december nicole kidman

68.75: Percent of honorees cited at least in part for their work improving the lives of women in poverty or oppressive situations

16: Women honored by Glamour for, in the words of editor-in-chief Cynthia Leive, “inspiring” other women

3: Celebrity hairstyles noted on page 86 as “Part Makeovers to Inspire You” (that’s “part” as in the part in your hair)

Null: Likelihood I would ever publicly admit to being “inspired” by the direction Gwyneth Paltrow combs her hair

10: Number of strategies suggested to “Make Over Your Body, Head to Toe,” including three for the face

2: Uses of the word “bling” on page 116

$895: Average price of the bling-encrusted bags on the same page

Boundless: My astonishment that anyone would spend $2,295 on a Valentino purse studded with hot-glued faux jewels

3: Body types represented in “The Sexiest Dress for Your Shape”

3: Number of “fun ways” to wear a scarf recommended on the next page

239: Page on which a Glamour staffer claims to have seen the term “sophisticated elf” as the dress code on an invitation

5: According to page 163, the count of “Fights Every Couple is Having Right Now”

100: Approximate percentage of those five conflicts that have been the basis for an episode of a network sitcom starring an average-looking former standup comedian and a gorgeous actress as his wife

9: “Sweet ways guys show their affection” in “100 Little Things that Renew Your Faith in Love”

1: Of those 9, the number which involve a man sleeping outside his girlfriend’s house without her knowledge. Sweet, eh?

4: Pages devoted to “I Don’t Care About Being a Size 2,” a beauty story featuring singer Adele

1: Total of photos of Adele where her body is actually visible below the neck

Wintour Wednesdays, Thursday Edition: "Fashion, That's All She Thought About"

Welcome to Wintour Wednesdays, our peek inside the unauthorized biography Front Row—Anna Wintour: What Lies Beneath the Chic Exterior of Vogue’s Editor in Chief by Jerry Oppenheimer. Is Wintour’s glacial demeanor affected or genuine? How did she develop her affinity for fashion? And how many decades has she had that haircut, anyway? Let’s find out! Anna_wintour_pie_in_paris_2

Well, if there’s one lesson to be gleaned from Anna Wintour’s climb to the top of the corporate ladder, it’s that it never pays to stay in a job where you’re not appreciated,

Says former Harpers & Queen fashion editor Min Hogg:

“She had a degree of ambition that must eat away at her heart all the time. Fashion was her absolute world, and she did know more about it than me, so she just didn’t know how to deal with having someone like me over her. Fashion, that’s all she thought about, and she didn’t like anyone who didn’t—in other words, me.”

After a dramatic clash during the shows in Paris, Anna left the magazine—and the country. In New York, she took a junior fashion editor position at Bazaar. Enduring numerous disputes with the editorial director and rumors of her affairs with the photographers she hired for Bazaar’s shoots, Anna was let go after about nine months on staff. This is how she explained it:

“It was for the couture,” she said, “and the editor in chief had a breakdown because I had used models with dreadlocks. You know, it wasn’t a blonde American look!”

Well, she’s certainly mastered the blonde American thing now, hasn’t she?

Next week: Anna does time at Penthouse’s sister publication Viva.

Masthead

Editor: Wendy Felton


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